Blog_From The Rising Of The SunAtum couldn’t sleep. He tossed about in his bed, fuming still. He could not explain why he was still so angry at Badru. But he was.

The filth of a scum, he thought wrathfully. Imagine having the nerve to come into his presence with prostitutes for his guest, as if he asked for it. And Gal, was he pleased by the offer? Yes, he had rejected Badru’s offering, but who was to say he hadn’t merely done that as an act of modesty in the presence of the prince? Soldiers such as he were legendary for their insatiable appetite for what lay between the thighs of women. He may very well have requested for Badru to return the girls to his room after he, Atum, left to retire for the night.

Images of Gal’s huge frame positioned over the nubile women flashed then through his mind. He grimaced as he saw in his mind’s eye that panther skin glowing in the dark as he drove deep into the sex of one of them harlots with vigour, while she screamed, her breasts joggling this way and that in tandem with his thrusts. The imagination gave Atum a jolt. Continue reading

Author of Brokeback Mountain Wishes She’d Never Written The Story

brokeback460‘I wish I’d never written the story. It’s just been the cause of hassle and problems and irritation since the film came out. Before the film, it was all right… In Wyoming they won’t read it. A large section of the population is still outraged. But that’s not where the problem was. I’m used to that response from people here, who generally do not like the way I write. But the problem has come since the film. So many people have completely misunderstood the story. I think it’s important to leave spaces in a story for readers to fill in from their own experience, but unfortunately the audience that Brokeback reached most strongly has powerful fantasy lives. And one of the reasons we keep the gates locked here is that a lot of men have decided that the story should have had a happy ending. They can’t bear the way it ends — they just can’t stand it. So they rewrite the story, including all kinds of boyfriends and new lovers and so forth after Jack is killed. And it just drives me wild.

‘They can’t understand that the story isn’t about Jack and Ennis. It’s about homophobia; it’s about a social situation; it’s about a place and a particular mindset and morality. They just don’t get it. I can’t tell you how many of these things have been sent to me as though they’re expecting me to say, ‘Oh great, if only I’d had the sense to write it that way.’ And they all begin the same way — I’m not gay, but?.?.?.? The implication is that because they’re men they understand much better than I how these people would have behaved. And maybe they do. But that’s not the story I wrote. Those are not their characters. The characters belong to me by law.”

— Author Annie Proulx explaining to Paris Review the negative response from some readers to the ending of her short story, Brokeback Mountain, that was adapted into the Academy Award-winning 2005 film